MILO DE PRIETO

What is a Neurocognitive Strategist & Creative Developer?

WHAT

I do

As a neurocognitive strategist I work with how the brain creates meaning. My research and applied work examine the processes that allow the brain to organize experience—through narrative, emotion, perception, memory, regulation, and learning—and translate them into systems that people can use.

As a creative developer I use artistic practice to investigate and build those systems. My art—writing, film, design, and interactive installations—functions as a research method. It reveals how meaning is formed, how identity becomes coherent, and how divergence becomes ability.

This combination is tech transfer: moving theory into tools, frameworks, curricula, environments, and creative works that support real cognitive development and quality of life. Everything I design—whether a residency, a learning progression, or a conceptual installation—emerges from this integration of neuroscience, cognition, and art.


My Theories & Research

My work is driven by a single conviction: quality of life is grounded in our biology.

The human brain has structural needs—sleep, rhythm, focus, belonging, and meaning. When these needs are met, people experience clarity, stability, and creative capacity.  When neglected, no amount of wealth or success can compensate. My passion is to design systems—educational, artistic, organizational—that make these needs visible and achievable in daily life.

Neural Coherence Ecology (NCE)

is a theory and model that demonstrates that the brain a
is an interdependent ecosystem. It describes four interacting infrastructures—rhythmic regulation, activation, cognitive patterning, and synchrony—that together sustain wellbeing. NCE shows how coherence emerges from equilibrium rather than willpower, and how environments can either support or destabilize that equilibrium. It is the foundation of my applied work because it makes quality of life measurable, practical, and teachable.

Conceptual Thinking

 is the capacity to understand how ideas, systems, and experiences connect. It is meaning-based problem solving: the ability to interpret complexity, see implications, and design solutions that hold up across contexts.

Procedural thinking focuses on executing known methods. Conceptual thinking organizes the structures that make those methods make sense. Both are valuable. Conceptual thinking is developmental and can be taught at any age with proper scaffolding.

This skill underlies all my applied work—in literacy, numeracy, curriculum design, DRIVEN, artist development, and cognitive coaching—because it supports transfer, coherence, and adaptive problem solving. It gives learners of any age the ability to work with complexity rather than be overwhelmed by it.

WHY

I started ARTESIAN

ARTESIAN is a living academy—part method, part movement—built to turn cognition, culture, and restorative intelligence into environments, tools, and programs that make life truly livable. I launched it to work in consortium with other passionate builders, so my research doesn’t sit on a shelf: it becomes residencies, curricula, products, and spaces that run, test, evolve, and scale.

HOW

I got here

I have spent over three decades studying how the brain makes meaning and applying that knowledge in education, creative practice, organizational development, and artistic research.

My work spans:
– teaching and curriculum development across K–12 and university
– literacy and numeracy frameworks grounded in learning science
– school leadership and teacher development
– cognitive-based tools for higher education and emerging technologies
– media, creative direction, and narrative design
– fine art, film, and installation as research practices
– tech transfer: turning theory into systems that people can use

Whether working with students, artists, institutions, or teams, I build environments and frameworks that help people engage their own cognitive architecture with clarity and purpose.

HOW

To collaborate with me

I collaborate with researchers, institutions, artists, and organizations exploring meaning-making, creativity, and human development.

My work often takes the form of:
– research partnerships
– artistic collaborations and exhibitions
– cognitive-design residencies (DRIVEN ART)
– development of learning frameworks or conceptual systems
– institutional or team-wide coherence design
– contributions to projects aligned with divergence, identity, or creative cognition

ARTESIAN, DRIVEN, DRIVEN ART, and DIVERGENTE are the primary vehicles for this work. Each initiative transforms research into environments where people can understand themselves more clearly and build lives grounded in coherence, creativity, and real possibility.

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